Kids these days.

Kids are the meanest clients.

“Fresh Impressions on Brandmarks (from my 5-year-old)”

(by AdamLaddVideos)

Meh.

Meh.

ableaksky:

Same idea. Same form factor. Same typography. I sense a deep disturbance in the Force.

Agree. They opted for Gotham, too.

ableaksky:

Same idea. Same form factor. Same typography. I sense a deep disturbance in the Force.

Agree. They opted for Gotham, too.

(via ableaksky-deactivated20120525)

(via Admix Designs)

(via Admix Designs)

Freelancing: The importance of walking the walk

By Tom Lane
Via Computer Arts

There’s nothing stopping you from doing a particular project – just get on with it, says Tom Lane

Don’t rely on other people to make things happen for you, or for the work to land on your plate. Make it happen: walk the walk, don’t talk the talk. If you like magazines, create a magazine with a friend. If you want to land an advertising campaign for a major client, do one yourself and show it to other people. Tell stories, let people into what you’re doing, what you’re about and what it is that you want to be. Potential clients will come to you because they understand where you’re coming from and what you’re capable of.

If you want to get into an area of business or do a particular project, there’s absolutely nothing stopping you from doing it. Don’t rely on someone else handing it to you – just do it. That way, you give art directors the easiest opportunity possible to say: “Oh, I can hire them to do that. Look, they’ve already done a successful job of it.”

It doesn’t matter if it’s ‘real’ or not. There’s no such thing as a make-believe project. It all comes down to the results you get and the story behind it. I’ve never witnessed anyone saying: “Well, that isn’t a real project,” or: “That’s not a valid thing”. People see something awesome and they want to hire you to do it.

After six months of thinking I was going to get a design job, I went out and knocked on the doors of design studios instead of waiting for them to put up an advert. I introduced myself and said: “I can help you in the future if you want.” I wanted to do an advertising campaign around cars, so I just did one – and three weeks later, I had a commission from Mercedes to do a mail-out. A project you can put a bit of yourself into and use to show people what you’re about is the best piece of promotion you can use.

Illustration by Cachetejack

PressPausePlay

A film about fear, hope and digital culture.

Hmmm …

Hmmm …

FUN-PARTY by teammanilastudio on Flickr.

FUN-PARTY by teammanilastudio on Flickr.

FUN-RIZAL by teammanilastudio on Flickr.Via Flickr:
Having FUN in Dapitan

FUN-RIZAL by teammanilastudio on Flickr.

Via Flickr:
Having FUN in Dapitan

Yey!

Yey!

I Heard You Are A Graphic Designer

(by soslight3)

Planet X
Submitted to Illuniverse, hopefully it gets through.

Planet X

Submitted to Illuniverse, hopefully it gets through.

Saul Bass Pitch Video for Bell System Logo Redesign | AT&T Archives

Bass’ work in logo design and movie title credit sequences spanned the latter half of the 20th century, with prominent work in each field. He worked closely with AT&T, designing not only the 1970 “bell” logo that was ubiquitous for a decade, but also, upon the divestiture of AT&T, he designed the original “death star” logo, unveiled in 1984.

One reason for this bell logo’s ubiquity? That redesign was the largest corporate re-identity program in the U.S., ever. The redesign covered:

  • 135,000 Bell system vehicles
  • 22,000 buildings
  • 1,250,000 phone booths
  • 170,000,000 telephone directories

This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms. But a great many were—including, most memorably, the telephone vans and hardhat designs of the 1970s. He designed down to the details, showcasing in this film a myriad of ideas, right down to the yellow pages book designs, cufflinks for executives, and flags.

Bass’ other very recognizable logo designs that persist today include those for Minolta, Girl Scouts of America, Avery International, Geffen Records, Warner Int’l, and many more. Bass’ design for AT&T was the foundation for the logo that the company has today, redesigned in 2005 by Interbrand.

Produced by Saul Bass
Footage courtesy of AT&T Archives and History Center, Warren, NJ

- YouTube

Off Book | Product Design | PBS Arts

(by PBS)

Midnight Oil Poster (18x24”)
by Frank Chimero for his book The Shape of Design.

Midnight Oil Poster (18x24”)

by Frank Chimero for his book The Shape of Design.